Leviathan, 2023

This piece is a continuation of my series of works which are based on our relationship with nature, and the collective hubris that drives us to believe that we can fully wrestle it to our will. I found inspiration in the ancient myth of the monstrous sea serpent, Leviathan, who represents the embodiment of chaos that threates to envelope the material world.

The viewer is placed in the position of a lone soul adrift in the swirling maelstrom of the ocean. Looking up in desperation for a break in the waves, they find not a life-line to safety, but the menacing tentacle of an unknowable creature from the dark depths below.

Bittersweet, Honeysuckle and Black Elder vines, Cotton twine

90” x 192” x 5”

The Limits of Control, 2025

An ongoing series that explores man’s ill-fated and hubristic attempt to impose his will on nature.

These assemblages are installed in a formal grid pattern to amplify the tension in the juxtaposition of order versus the freeform .

Each panel is 30” x 24.” Total assemblage size 63” x 78”

Wild Wisteria, Bittersweet, Honeysuckle vines, Sagebrush, Bamboo and Cotton twine

Axis Mundi, 2024

Bittersweet, Box Elder & Honeysuckler vines, twine and acrylic paint assemblage

43” Diameter X 6”

The Santa Ana Quartet

Bittersweet, Honeysuckle and Black Elder vines, twine

77 x 77” x 5”

This Mortal Coil, 2024

Shown closed/upright in studio

Site specific work created for the 2024 outdoor “Sculpture on the Trail” exhibition at the Center for Environmental Education and Development (CEED), Brookhaven, New York.

This Mortal Coil, 2024

84” long x 28” wide x 23” high

Wild Wisteria, Bittersweet and Honeysuckle vines and twine on a Wild Wisteria and black acrylic painted plinth

Artist Statement

What you see before you is my most personal work to date. 

I say this because one day it will actually contain my person.

I don’t consider this a dark thought – quite the opposite.

 As I bent the vines and tied the knots, trying to create something of beauty and purpose, feelings flooded back of a childhood memory: 

lying in the cool grass on a summer night, looking up at the stars, wrapped in the embrace of nature as the everyday world fell away. 

So while the sculpture does represent my ultimate expression of entropy (the degradation of all matter into chaos and inertia), a core tenet of my work, I hope it also suggests a peaceful acceptance of the natural phases and cyclical dynamics of life. 

And it may bring to mind other symbolic vessels of transformation: Norse burial ships transporting fallen heroes to Valhalla; the bramble-bower of Sleeping Beauty and her “happily ever after;” 

and the hibernation pods of 2001: A Space Odyssey, where our species catapults into a quantum shift in consciousness.

All that being said, I hope this vessel will gather dust in my studio 

Acceptance (This To Shall Pass Away) 2023

Bittersweet, Box Elder, Honeysuckle vines, wooden picket fencing, twine, acrylic paint

100” x 60” X 60” (approx.)

Site specific work, shown in studio, created for the 2023 outdoor “Sculpture on the Trail” exhibition at the Center for Environmental Education and Development (CEED), Brookhaven, New York.

Shown here in studio

Acceptance (This To Shall Pass Away (2023)

Bittersweet, Box Elder, Honeysuckle vines, wooden picket fencing, twine, acrylic paint

100” x 60” X 60” (approx.)

Site specific work created for the 2023 outdoor “Sculpture on the Trail” exhibition at the Center for Environmental Education and Development (CEED), Brookhaven, New York.

You Can't Memorize The Wind, 2024

48” x 84” x 5”

Wild Wisteria, Bittersweet, Honeysuckle vines, twine and yarn

Private collection

You Can't Memorize The Wind, 2024

48” x 84” x 5”

Wild Wisteria, Bittersweet, Honeysuckle vines, twine and yarn

Private Collection

Installation View

A Silent Pass 2024

54” x 89” x 6”

Wild Wisteria, Bittersweet and Honeysuckle vines, twine, and acrylic paint

I Took My Dreams (and I Took to The Road), 2023

Bittersweet, Honeysuckle and Black Elder vines, twine

Triptych: three panels, each 48” x 48” approx.

Private collection

The Killing Moon, 2023

40” in diameter

Sagebrush, Bittersweet vines, Feathers, twine and acrylic paint

Private collection

Un Vento Forte, 2024

50” x 57” x 5”

Wild Wisteria, Bittersweet, Honeysuckle vines, twine and yarn

Private collection

Un Vento Forte, 2024

50” x 57” x 5”

Wild Wisteria, Bittersweet, Honeysuckle vines, twine and yarn

Private Collection

Installation View

In The Humming Wires, 2022

Bittersweet, Box Elder & Virginia Creeper vines and twine assemblage

100” x 73” x 2.5”

Private Collection

Installation View

In A Minor Key, 2022

Bittersweet, Box Elder & Virginia Creeper vines, acrylic paint and twine assemblage

48” x 76” x 4”

Private Collection

Installation View

Love is a Rogue Wave, 2023

Bittersweet, Box Elder & Honeysuckle vines assemblage

156” x 60” x 5”

Private Collection

Ragnarok, 2023

Bittersweet, Black Elder & Virginia Creeper vines, acrylic paint and twine assemblage

60” x 55” x 5”

Private Collection

Maelstrom, 2023

Bittersweet, Black Elder & Virginia Creeper vines with Bamboo Grass yarn assemblage

68” x 42”

Private collection

Portal, 2022

Bittersweet, Box Elder & Virginia Creeper vines and twine assemblage

84” diameter x 2.5”

Private Collection

Portal, 2022

Bittersweet, Box Elder & Virginia Creeper vines and twine assemblage

84” diameter

Private Collection

Site specific work created for the 2022 outdoor “Sculpture on the Trail” exhibition at the Center for Environmental Education and Development (CEED), Brookhaven, New York.

Ascend/Transcend 2023

Bittersweet, Black Elder & Honeysuckle vines and twine assemblage

90” x 42”

The Undertow, 2022

Bittersweet, Box Elder & Virginia Creeper vines assemblage

72” x 48” x 2.5’

Private Collection

Installation View

Country Feedback, 2024

30” x 24”

Palm bark and acrylic paint

Private collection

Behind Closed Doors, 2015

Newsprint, Pine needles, sticks and acrylic paint on plywood

48” x 48”

Private Collection

Burn The Maps, 2022

Newsprint, dried leaves and acrylic paint collage

47” x 34”

The Wildred, 2022

Bittersweet, Box Elder & Virginia Creeper vines and twine assemblage

67” x 48” x 2.5”

Private Collection

Installation View

Dark Alleys & Crooked Love Songs, 2015

Sticks and acrylic paint on wooden panel

36” x 36”

The Chaos Artist, 2018

Bittersweet, Box Elder & Virginia Creeper vines, twine and acrylic paint assemblage

86” 45” (at base) diameter

Private Collection

I'm Still Waiting On Your Ghost, 2016

Newsprint, sticks and acrylic paint on canvas

48” x 60”

Private Collection

New York End Times, 2018

Newsprint, graphite and acrylic paint collage

59” x 45”

Private Collection

Snowpiercer, 2016

Sticks, twine and acrylic paint assemblage

64” x 46”

Private Collection

The Dream Diptych, 2021

Bittersweet, Box Elder & Virginia Creeper vines, twine and acrylic paint assemblage

64” x 36” x 2.5”

Private Collection

New York Isn't New York (Without You, Love), 2018

Torn newsprint, graphite and acrylic paint collage

43” x 27”

Private Collection

Radiation Vibe, 2017

Bittersweet, Box Elder & Virginia Creeper vines, twine and acrylic paint assemblage

45” diameter x 3”

Private Collection

Bloodbuzz, 2018

Bittersweet, Box Elder & Virginia Creeper vines, twine and acrylic paint assemblage

78” x 62” x 2”

Tower Song, 2015

Newsprint, sticks and acrylic paint on canvas

36” x 24”

Private collection

Blizzard of '77 (Happy Kid), 2017

Sticks, feathers, sand and acrylic paint on canvas

18” x 18”

Private collection

Shards and Shivers, 2019

Paper ephemera collage on canvas

24” x 12”

Everyone I Know (Goes Away in The End), 2019

Sticks, feathers, sand and acrylic paint on canvas

60” X 48”

Private Collection

County Line, 2018

Craft paper, graphite and acrylic paint collage

50” x 35”

Private collection

I'm Not Sad (I'm Just Disappointed), 2016

Sticks, corrugated cardboard and acrylic paint on canvas

29” x 21”

Fighting On The Stairs, 2014

Sticks, corrugated cardboard and acrylic paint on canvas

29” x 21”

Private collection

The Killing Moon, 2018

Paper, twine and acrylic paint on corrugated cardboard

12” diameter

Brotherhood of The Grave, 2019

Sticks and acrylic paint on corrugated cardboard

12” diameter

You Spend Half Your Life (Trying To Turn The Other Half Around). 2016

Dried leaves, graphite and acrylic paint on wooden panel

24” x 18”

The Static in Your Smile, 2015

Newsprint, vines and acrylic paint on canvas

48” x 24”

American Icarus, 2015

Feathers, sand and acrylic paint on canvas

36” x 36”

After Anselm, 2020

Torn paper, sticks and paint on wooden panel

11.75” x 8.25”

Private Collection

Every Time The Sun Comes Up, 2017

Twine, sand and acrylic paint on canvas

27” X 21”

Private Collection

Riot Baby, 2020

Torn paper, graphite and paint collage

35” x 20”

Private Collection

Bad Moon Rising, 2016

Sticks, bark, dried leaves and acrylic paint on canvas

29” x 21”

Overload The Circuits, 2014

Torn newsprint and magazine paper collage on canvas

36” x 36”

Private Collection

Welcome to The Dollhouse, 2019

Bamboo, Bittersweet, Box Elder & Virginia Creeper vines, twine and acrylic paint assemblage

64” x 24” X 2.5”

Private Collection

I Listened, 2016

Torn paper and paint on a wooden panel

12” x 9”

Private Collection

If Lightning Were Desire, 2020

Torn paper, graphite and acrylic paint on canvas

12” x 12”

Private Collection

Pandemic Ghosts, 2020

Torn paper, gauze and acrylic paint on cardboard

11” x 8.5”

Private Collection

Funeral Blues, 2019

Sticks and acrylic paint on a wooden frame

24” x 24” x 2”

Private Collection

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